Your mission, should you choose to accept it, is to replace the threatened Crown Jewels with replicas and capture the terrorists trying to get the real ones.
15/10 - Barney
Do not leave any hints behind that you were there! If you change anything, return the area to the way you found it. For example: if you make any changes to the Tower of London Security computer systems, make sure you restore the systems back to their original settings. Or if you are using a digital looping device, make sure you remove it so it will not be discovered. The key is to remove any trace of your having been in the Tower of London.
For orientation and recognition purposes you should definitely SAVE YOUR GAME, then leave by each of the exits and explore a little.
In this way you will discover which exits are attached to which buildings.
And most importantly Š DON'T GET CAUGHT!
In the WHITE TOWER Chapel- prepare your escape route for after the switch.
With the altar in front of you, walk between the pillars on the right, until you are just behind the altar. Get the only Candlestick without a candle [you stop just to the right of it]. Continue walking around behind the altar. Emerge slowly and watch for the Beefeater.
Follow him.
You will lose him in the next room but keep going forward, then turn right at the wall and keep going forward until a small door appears to your left. Go up to the next floor.
USE the left door. Go to the first opening right [where the cannon is]. Move down the room and stand in front of the silver rod attached to the right-hand wall. YouÕve found King Henry VIIIÕs Walking Stick. USE the Candlestick on the bracket. Take the wooden steps down to the:
TOWER OF LONDON SEWERS
Use the yellow flash lamp. Follow the secret passage.
After going forward twice youÕll see to your left a wall made of bright cream bricks. Ignore it for now. Keep going forward [six more times].
Your mission, should you choose to accept it, is to replace the threatened Crown Jewels with replicas and capture the terrorists trying to get the real ones. 
